The ghost sequences were subtle and phenomenal. A choice of 231 of the best horror movies released from 2000 to 2020. They had to go to extreme emotions for the more dramatic scenes and they did it very well.Let me know if I have summed this up right... basically, the mom killed herself, and su-mi died trying to save her. The real stepmom isn't in the movie until the very end/some flashback scenes. Produced by low-budget genre factory Fortunately, the cheesier bits in “Stephanie” are often mollified by Crooks’ subtle performance and Goldsman’s elegant visual sense — bodies dragged through the ground and doors abruptly slamming provide far greater punchlines than any special effects. The movie then cuts to six months later and ends with the kind of captions reserved for true-life movies. It's such a great movie, and I'll definitely be seeing it again in the future.This movie had great tension and suspense. That said, it's interesting to read the comments here, as it's making me realize that there were tons of subtle nuances that were lost on me during my original viewing. I really hate to be that guy that criticizes a movie because I wasn't smart enough to understand it, but that was a seriously convoluted plot.I haven't seen the Uninvited and I don't intend to. This morning I watched Stephanie (2017), which is one of the many awesome September additions to Netflix. Needless to say I loved it, it was genuinely scary and the plot intrigued me, especially the twists at the end. Is Stephanie an orphan or isolated for more sinister reasons? Why wasn't the step mom there as soon as the girl came home? Press question mark to learn the rest of the keyboard shortcuts
That’s certainly the case with “Stephanie,” a more-than-competent entry in the creepy kid subgenre that doesn’t break new ground but manages to find its footing anyway. Loved it, thanks for the suggestion!This was the movie that was originally going to be my pick, but I'm glad we got to it sooner. The plot revolves around mostly the latter. Most of the movies we've watched so far haven't really been scary, but this film had some genuinely terrifying moments.
It really is a gem, and has so many elements that not only make a fantastic Asian horror movie but a horror movie in general. Each month we pick a new horror theme and, based off that theme, vote for a weekly movie to watch.
Earning him his 2nd Oscar, back to back. Su-Mi was so genuinely likable and I wanted to see her make it through everything. It was a great scene and really suspenseful, but what was the point of it?The "Stepmother" in this scene is actually Su-Mi completely losing her shit. I liked the rippling water effects that they did in the beginning that they tied to the doctor washing his hands, then to the lake.The movie kept building on which one was in fact the crazy one and why the hell was the dad so separated from the step mom and Su-Yeon.
In the pictures they are both wearing lab coats together.Yes, Su-Yeon dies and Su-mi is unable to cope, so she makes imagines her in her mind'The girl under the sink was the ghost of Su-Yeon. For the first half of the movie, they built tension fantastically, and it honestly gave me the chills and had me on the edge of my seat. Also the plot twists were amazing. One of the better asian ghost type movies out there.I liked most of the movie. In reverse chronological order and purely subjective.
I couldn't see what was going on half the time.
I didn't see them coming at all.
I think I might have figured out the majority of it, but what was she beating in the bag? I saw the first and last ones coming, but the second one was totally unexpected for me. An apocalyptic event is alluded to on various news broadcasts, but Stephanie channel-surfs past them to watch Despereaux, Equestria Girls and Friendship is Magic.
Not sure why there are some low ratings here, can only assume some people went into this expecting … That undercuts any suspense we’d feel or fear we have for her future.Grillo and Torv give fair value, playing parents ruled by responsibility and loyalty, but also fear and dread.
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You can tell this by the way the father and uncle react to what she's saying. And then they call back to it with the reveal, and I was like "What?! We’re getting a child’s eye view of terror and trauma, coping by denial, by getting used to whatever is “out in trees” that is sure to “get” her.Life is a cascading parade of accidents waiting to happen, drawing its suspense from “What will this little dickens get into next?” Climbing on shelves, dropping jars on the floor, jamming up a plugged-in blender which she, being 7 or so, attempts to free by sticking her hand in the thing.And there are growls from outside and the walls ripple with life.Something about this child isn’t right, and it’s not just that she’s the only kid her age on Planet Earth watching and re-watching “The Tale of Despereaux” on TV. With the step mom telling that story about the naked guy to the woman going into convolutions and seeing the girl under the sink.
They got very confusing near the end, but overall it was a good movie.My only complaints are that the whole movie was way too dark. It's refreshing to see a film that relies on tension and intelligent writing other than just "pop-out" scares. The hand under the kitchen sink really messed me up. You can tell by how the Dad responds, by giving her pills and such. Instead of mass panic or crumbling landscapes, “Stephanie” starts on only this one person, making the film’s first half a narrow POV look behind the curtain of a catastrophe.
The first third of the movie when it's just Stephanie by herself is fucking great.
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